{"id":6601,"date":"2026-05-30T22:00:19","date_gmt":"2026-05-30T20:00:19","guid":{"rendered":"https:\/\/echoraum.at\/?p=6601"},"modified":"2026-07-22T22:20:06","modified_gmt":"2026-07-22T20:20:06","slug":"floating-sound-gallery-vienna-acousmonium-2026","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/floating-sound-gallery-vienna-acousmonium-2026\/","title":{"rendered":"Floating Sound Gallery Vienna: ACOUSMONIUM 2026"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_7012\" aria-describedby=\"caption-attachment-7012\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7012 size-large\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/05\/Acousmonium-2026-c-Patrick-KH-72-e1775310160300-1024x877.jpg\" alt=\"\" width=\"1024\" height=\"877\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/05\/Acousmonium-2026-c-Patrick-KH-72-e1775310160300-1024x877.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/05\/Acousmonium-2026-c-Patrick-KH-72-e1775310160300-300x257.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/05\/Acousmonium-2026-c-Patrick-KH-72-e1775310160300-768x658.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/05\/Acousmonium-2026-c-Patrick-KH-72-e1775310160300.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-7012\" class=\"wp-caption-text\">\u00a9 Patrick K.-H.<\/figcaption><\/figure>\n<p><strong><br \/>\nACOUSMONIUM 2026<br \/>\n<\/strong><br \/>\n<strong>International festival of multichannel electroacoustic music<\/strong><\/p>\n<p>Curated by <strong>Alisa Beck &amp; Anton Iakhontov<br \/>\n<\/strong>A co-production of <strong>Floating Sound Gallery Vienna<\/strong> and <strong>echoraum<\/strong><\/p>\n<p><a href=\"https:\/\/floatingsound.at\/\">https:\/\/floatingsound.at\/<\/a><\/p>\n<p>Program: <a href=\"https:\/\/floatingsound.at\/ACOUSMONIUM2026\">https:\/\/floatingsound.at\/ACOUSMONIUM2026<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Thursday, May 28, 2026, 7pm<\/strong><\/p>\n<p><b><a href=\"https:\/\/floatingsound.at\/Anna-Maly\" rel=\"history\">Anna <\/a><a href=\"https:\/\/floatingsound.at\/Anna-Maly\" rel=\"history\">Maly<\/a>,\u00a0Schnufa <\/b>(9\u201936\u201d) 2026<b>, <\/b>Rising Amen (4\u201924\u201d) 2022, Lux Aeterna Unlimited (5\u201908\u201d) 2021 <b><br \/>\n<\/b><b><a href=\"https:\/\/floatingsound.at\/Daniil-Koronkevich\" rel=\"history\">Daniil Koronkevich <\/a>&amp; Snir Kaduri, <\/b>Lines (25\u2019) 2025 <b><br \/>\n<a href=\"https:\/\/floatingsound.at\/Wolfgang-Musil\" rel=\"history\">Wolfgang Musil<\/a>, <\/b>nordlicht remix (13\u2019) 2025 \/ 26<b><br \/>\n<a href=\"https:\/\/floatingsound.at\/Alla-Zagaykevych\" rel=\"history\">Alla Zahaikevych<\/a>,\u00a0<\/b>RANA (9\u201914\u201c) 2022, Motus (10\u201923\u201d) 2003\u00a0<b><br \/>\n<\/b>\/\/ TALK \/\/<b> Alla Zahaikevych: Ukrainian Association of Electroacoustic Music \u2013 Possibilities of the Future<br \/>\n<a href=\"https:\/\/floatingsound.at\/Morning-Seance\" rel=\"history\">Morning Seance<\/a>,\u00a0<\/b>Apparatus for obscure phenomena (19\u2019) 2026<b><br \/>\n<\/b><\/p>\n<p><strong><br \/>\nFriday, May 29, 2026, 7pm<\/strong><\/p>\n<p><b><a href=\"https:\/\/floatingsound.at\/Daniel-Teruggi\" rel=\"history\">Daniel Terugg<\/a><\/b><b><a href=\"https:\/\/floatingsound.at\/Daniel-Teruggi\" rel=\"history\">i<\/a>,\u00a0<\/b>Symphonische Tr\u00e4ume<b> <\/b>(22\u2019) 2000<br \/>\n<b><a href=\"https:\/\/floatingsound.at\/Amir-Teymuri\" rel=\"history\">Amir Teymuri<\/a><\/b>,\u00a0WARPING TIME IN SEARCH OF SIMILARITY (11\u201930\u2019\u2019) 2025,\u00a0DANCE SONG (06\u201911\u2019\u2019) 2025<br \/>\n\/\/ TALK \/\/<b><strong> Amir Teymuri: Sonic Transitions<br \/>\n<a href=\"https:\/\/floatingsound.at\/Maja-Osojnik\" rel=\"history\">Maja Osojnik<\/a>, <\/strong><\/b>BLENDE #01 (20\u201904&#8220;) 2024, 2026, including <strong>Maja Osojnik<\/strong><b><strong> \/ <a href=\"https:\/\/floatingsound.at\/Christopher-Sturmer\" rel=\"history\">Christopher Sturmer<\/a>, <\/strong><\/b>INTO EVERYTHING, INTO ANYTHING (6\u201946\u2019\u2019) 2025, austrian premiere of the video<b><strong><br \/>\n<a href=\"https:\/\/floatingsound.at\/Gunther-Rabl\" rel=\"history\">G\u00fcnther Rabl<\/a>, <\/strong><\/b>GEZEITENWENDE (CHANGING OF THE TIDES) (selected movements, ca. 20\u2019)\u00a0 2017<\/p>\n<p><strong>Saturday, May 30, 2026, 6pm<\/strong><\/p>\n<p>6pm-7pm: <strong>Public workshop \u201cHands-on-Acousmonium\u201d<\/strong><br \/>\n(free admission, no registration required)<\/p>\n<p><strong>Saturday, May 30, 2026, 7pm<\/strong><\/p>\n<p><b><a href=\"https:\/\/floatingsound.at\/Kristina-Warren\" rel=\"history\">Kristina Warren<\/a>,<\/b>\u00a0Downriver Light<b>\u00a0<\/b> (17\u2019) 2026<b><br \/>\n<a href=\"https:\/\/floatingsound.at\/Tatiana-Panyaeva\" rel=\"history\">Tatiana Panyaev<\/a><\/b><b><a href=\"https:\/\/floatingsound.at\/Tatiana-Panyaeva\" rel=\"history\">a<\/a>,\u00a0<\/b>Fl\u00e2ner (7\u201928\u201d) 2025<b><br \/>\n<a href=\"https:\/\/floatingsound.at\/Christian-Pusch\" rel=\"history\">Christian Pusch<\/a>,\u00a0<\/b>Time Out (05\u2019)\u00a0 2026<b><br \/>\n<\/b>\/\/ TALK \/\/\u00a0<b><strong><a href=\"https:\/\/floatingsound.at\/Daniel-Teruggi\" rel=\"history\">Daniel Terugg<\/a><a href=\"https:\/\/floatingsound.at\/Daniel-Teruggi\" rel=\"history\">i<\/a>: The particularities of Acousmatic Music<br \/>\n<a href=\"https:\/\/floatingsound.at\/Patrick-K-H\" rel=\"history\">Patrick K.-H.<\/a><\/strong><\/b>, RE- (or where did the water come from) (selected movements, ca. 15\u2019) 2026, premiere<b><strong><br \/>\n<a href=\"https:\/\/floatingsound.at\/Brii\" rel=\"history\">Brii Bauer<\/a> &amp; <a href=\"https:\/\/floatingsound.at\/tin-hoc\" rel=\"history\">Tina H<\/a><a href=\"https:\/\/floatingsound.at\/tin-hoc\" rel=\"history\">ochkogler<\/a>, <\/strong><\/b>Flight 2401 (2&#8217;24\u201d) 2025,\u00a0Another Cut Up Drama. And where have all the flowers gone? (4&#8217;00\u201d) 2025,\u00a0TinyNoisyCutUpLoopsForTheNastyBrainLabyrinthOfSuspiciousness (2&#8217;00\u201d) 2025,\u00a0How the fuck did I get here (6&#8217;35\u201c) 2025, Drop Eye (8&#8217;01\u201c) 2023<b><strong><br \/>\n<\/strong><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Floating Sound Gallery Vienna <\/strong>is a platform to support and promote the creation and performance of multichannel electroacoustic music and sound art. Founded by composer and multimedia artist Patrick K.-H. (Anton Iakhontov) in 2008 in Moscow, it relocated to Alexandrinsky Theater, St.Petersburg in 2013, and to Vienna in 2022. Floating Sound Gallery has presented music of over 200 artists in festivals and programs, intensively collaborating with partner institutions around the world. It is also known for its unprecedented public video archive of acousmatic performances, conferences and artist-talks.<\/p>\n<p>Its early period was highlighted as \u201epivotal in engendering sound-art as formal and informal practice in the post-soviet domain\u201c for international festivals and programs like \u201cSoundArt @ GogolFest\u201d (Kyjiw, 2010) and ACOUSMONIUM (St.Petersburg, since 2018) among others. Since 2014, FSG has established connections with the Austrian cultural scenes featuring local composers and artists in several programs in Moscow and St.Petersburg. Since the first ACOUMONIUM Festival at Alexandrinsky Theater in 2018, FSG has worked closely with composer Daniel Teruggi, former director of GRM in Paris, who has become a mentor, board member and joined curator of ongoing programs. Within the same time period FSG has started its cooperation with the France-based organization Alc\u00f4me who do not only provide their own loudspreaker orchester for the gallery\u2019s festivals but are also close partners in curating, organization and in mutual artistic exchange\u00a0 \u2013 arching to the next generations of electroacoustic composers.<\/p>\n<p>Since 2022 Floating Sound Gallery is based in Vienna and established an annual program that consists of the series of octophonic listening sessions Circuit Fant\u00f4me at Vronihof (2x per month) and the three-day festival ACOUSMONIUM at echoraum. Within these activities Vronihof serves as a physical space of Floating Sound Gallery and by 2026 will also be used as a studio on a weekly basis, open to colleagues to prepare and work on their multichannel compositions.<\/p>\n<p>In recent years, FSG has been invited to present its program in festivals and institutions like Autumn Waves Festival (Belgian Electroacoustic Music Federation, Bruxelles, Oktober 2023), New Ear :: SPATIAL :: (NYC, April 2025), Diapason Gallery (NYC, April 2025), Teheran Electroacoustic Music Festival (September 2025) and New Adits Festival (Klagenfurt, November 2025). Since 2023, FSG is co-curating the three-day festival ZVO.\u010cI.TI Akuzmonij Di-Fuzija together with CONA | Institute for Contemporary Arts Processing in Ljubljana (Slovenia). During 2025, FSG has been part of the EU-Project \u201eOndes Crois\u00e9es\u201c organized by Alc\u00f4me with partner festivals in Vienna (Austria), Bari (Italy), Reus (Spain) and Chalon-sur-Sa\u00f4ne (France).<\/p>\n<p><a href=\"https:\/\/floatingsound.at\/\">https:\/\/floatingsound.at\/<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/@floatingsoundgalleryvienna8899\">https:\/\/www.youtube.com\/@floatingsoundgalleryvienna8899<\/a><\/p>\n<p>Supported by Stadt Wien Kultur \/ Bundesministerium f\u00fcr Wohnen, Kunst, Kultur, Medien und Sport \/<br \/>\nSKE austromechana \/ echoraum.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; ACOUSMONIUM 2026 International festival of multichannel electroacoustic music Curated by Alisa Beck &amp; Anton Iakhontov A co-production of Floating Sound Gallery Vienna and echoraum https:\/\/floatingsound.at\/ Program: https:\/\/floatingsound.at\/ACOUSMONIUM2026 &nbsp; Thursday, May 28, 2026, 7pm Anna Maly,\u00a0Schnufa (9\u201936\u201d) 2026, Rising Amen (4\u201924\u201d) 2022, Lux Aeterna Unlimited (5\u201908\u201d) 2021 Daniil Koronkevich &amp; Snir Kaduri, Lines (25\u2019) 2025 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,18,5,4],"tags":[],"class_list":["post-6601","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diskurs","category-festival","category-konzert","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=6601"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6601\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/7012"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=6601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=6601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=6601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}