{"id":6488,"date":"2026-06-09T19:00:18","date_gmt":"2026-06-09T17:00:18","guid":{"rendered":"https:\/\/echoraum.at\/?p=6488"},"modified":"2026-06-08T07:47:40","modified_gmt":"2026-06-08T05:47:40","slug":"das-kleine-3x2","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/das-kleine-3x2\/","title":{"rendered":"das kleine 3\u00d72"},"content":{"rendered":"

mit Thomas Grimm<\/strong> solo (pr\u00e4pariertes Fagott) \u00b7 Sandra Muci\u00f1o<\/strong> solo (Fagott, Elektronik) \u00b7 Olivia Palmer-Baker<\/strong> solo (Fagott, Elektronik)<\/p>\n

das kleine 3\u00d72 ist eine neue Reihe, die die Kunst des Solospiels unterstreichen will. Um den Variantenreichtum eines Instrumentariums zu beleuchten, laden wir jeweils drei Protagonist:innen derselben Instrumentengruppe ein.
\nEine dreifache Zweierbeziehung.<\/p>\n

 <\/p>\n

\"\"
\u00a9 Christian Azzouni<\/figcaption><\/figure>\n

„Santa Ve“ ist ein improvisiertes Soloset f\u00fcr pr\u00e4pariertes Fagott, welches sich mit dem Thema Heimat auseinandersetzt.\u00a0Durch unerm\u00fcdliche Rituale, unorthodoxe Spieltechniken und unerwartete Kl\u00e4nge wird ein neues Zugeh\u00f6rigkeitsgef\u00fchl erzeugt. Eine eigene Identit\u00e4t befreit von\u00a0Nationalismus und Patriotismus, weit weg von Hymnen und M\u00e4rschen.\u00a0Es geht um die Ver\u00e4nderung, wie man von einem Klang zum n\u00e4chsten kommt, von der Peripherie ins Zentrum und wieder zur\u00fcck, darum wie wir uns ver\u00e4ndern und dadurch eine Heimat in uns selbst finden.\u00a0Das Fagott steht dabei im Zentrum, auf dessen fragilste Kl\u00e4nge mit diversen Mikrofonen eine Lupe gehalten wird. So wird das Klangspektrum des Instruments anhand analoger Bearbeitungen und erweiterter Spieltechniken neu verhandelt, vor allem um sich l\u00f6sen zu\u00a0k\u00f6nnen von den traditionellen Klangwelten des Fagotts. Diese Suche nach der Freiheit ist immer improvisiert, sie klingt manchmal\u00a0unangenehm und oft reibt sie. Durch zirkuliertes Atmen wird sie voll im K\u00f6rper verortet,\u00a0meditative Repetitionen, Mehrkl\u00e4nge in einem Meer aus Rauschen und ein kratzender Bogen\u00a0dienen als Werkzeug zur Bearbeitung des Klanges.\u00a0Dieser soll schweben, Trance-\u00e4hnliche Zust\u00e4nde hervorholen und immer eins sein \u2013 verwundbar bleiben.<\/p>\n

Thomas Grimm<\/strong> (*1989, Osttirol) ist Multiinstrumentalist, studierte Fagott, Saxophon und Querfl\u00f6te an der\u00a0Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien und f\u00fchlt sich in improvisierter und experimenteller\u00a0Musik am meisten zuhause. Er wuchs in den Tiroler Alpen auf, welche wesentlich seine obsessive Suche nach Identit\u00e4t und der Losl\u00f6sung von traditionellen Strukturen pr\u00e4gten. Diese Suche findet sich\u00a0ebenso in seinen\u00a0spielerischen Kl\u00e4ngen und unkonventionellen Spieltechniken wieder.<\/p>\n

https:\/\/www.instagram.com\/ahmostgimmr\/<\/a>
\nhttps:\/\/soundcloud.com\/ahmostgimmr<\/a><\/p>\n

 <\/p>\n

\"\"
\u00a9 sabiswabis<\/figcaption><\/figure>\n

\u201cJitter Jatter: Splinter Voices\u201d is a live electronic work for bassoon and electronics that contrasts the acoustic instrument with a persistent environment controlled by neural networks. The piece focuses on glitch textures, using the bassoon as a whole, but also as independent acoustic amplifiers for breath and voice. Neural synthesis employs custom-trained models based on datasets of female voices. These models act as ghosts \u201chaunting\u201d the bassoon\u2019s output in real time, responding with distorted words and fragmented sounds. This creates an unsettling, relentless atmosphere in which digital vocal identities are constantly deconstructed and reimagined to reflect the performer\u2019s movements. The result is an intense dialogue between the physical mechanics of the bassoon and the erratic logic of the neural network.<\/p>\n

Sandra Muci\u00f1o<\/strong> is a bassoonist and performer working with experimental and improvisational practices. With a background in classical music and bassoon performance, her work explores the intersections of performance, sound, and space. She engages with contemporary sound art, free improvisation, and interdisciplinary collaboration. She has performed at the Ars Electronica, Unsafe and Sounds, Wien Modern, Neofonia, Resonancias, Blockheide Leuchtet festivals. As an improviser, she is constantly experimenting, which is why she has worked with different artists to create performances that challenge her perception of sound, the body, and the stage. In 2025, she presented HINDRANCE at Deep Space Ars Electronica, as well as Unmuted Gasps and Saying not saying as part of the Ars Electronica festival. She is currently pursuing research in
\npostdigital instrument-making at the Tangible Music Lab.<\/p>\n

 <\/p>\n

\"\"
\u00a9 Santiago Villar<\/figcaption><\/figure>\n

Olivia Palmer-Baker<\/strong> is an Irish musician based in Berlin who specialises in contemporary, historical, and improvised music. In her work, she explores the physical, social, and temporal experience of making music and sees herself as a performer who explores the volatile, chaotic, and vulnerable extremes of her instrument\u2014the bassoon.
\nRecent highlights include the conception, production, and tour of je mets mon scaphandre for bassoon, ambisonics, and sound-reactive light (2024\u201325, UK\/DE), a masterclass on bassoon and electronics as part of the HKB Bern Double Reed Days (2026, CH), and an upcoming solo recital at Unerh\u00f6rte Musik (2026, Berlin), as well as further solo performances including at Rond\u00f2 (Divertimento Ensemble, Italy), the Aldeburgh Festival (UK), SONify Graz (Austria), Modulartx (Switzerland), Transparent Sound (Hungary), and in Spain, Ireland, and Germany. She also performs with numerous European ensembles for contemporary and historical music, including Ensemble Modern, Lautten Compagney, Ensemblekollektiv Berlin, Basel Sinfonietta, and the Lucerne Festival Contemporary Orchestra, and has performed as an improviser in many contexts. Olivia is a member of the Berlin-based Kollektiv UNRUHE and is active in the group as a composer, performer and curator. She studied previously in London (Royal Academy of Music), Berlin (Universit\u00e4t der K\u00fcnste), Frankfurt (International Ensemble Modern Academy), and is currently studying part time on the Music, Sound, Performance course at the Freie Universit\u00e4t Berlin.<\/p>\n

https:\/\/www.oliviapalmerbaker.de\/<\/a>
\nhttps:\/\/www.kollektivunruhe.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

mit Thomas Grimm solo (pr\u00e4pariertes Fagott) \u00b7 Sandra Muci\u00f1o solo (Fagott, Elektronik) \u00b7 Olivia Palmer-Baker solo (Fagott, Elektronik) das kleine 3\u00d72 ist eine neue Reihe, die die Kunst des Solospiels unterstreichen will. Um den Variantenreichtum eines Instrumentariums zu beleuchten, laden wir jeweils drei Protagonist:innen derselben Instrumentengruppe ein. Eine dreifache Zweierbeziehung.   „Santa Ve“ ist ein […]<\/p>\n","protected":false},"author":2,"featured_media":6490,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,4,8],"tags":[],"class_list":["post-6488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzert","category-programm","category-reihe"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=6488"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6488\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/6490"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=6488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=6488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=6488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}