{"id":6334,"date":"2026-04-30T20:00:39","date_gmt":"2026-04-30T18:00:39","guid":{"rendered":"https:\/\/echoraum.at\/?p=6334"},"modified":"2026-04-30T16:40:36","modified_gmt":"2026-04-30T14:40:36","slug":"sawt-out","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/sawt-out\/","title":{"rendered":"Sawt out"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6335 size-large\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/02\/sawtout_detroit-1013x1024.jpg\" alt=\"\" width=\"1013\" height=\"1024\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/02\/sawtout_detroit-1013x1024.jpg 1013w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/02\/sawtout_detroit-297x300.jpg 297w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/02\/sawtout_detroit-768x777.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2026\/02\/sawtout_detroit.jpg 1252w\" sizes=\"auto, (max-width: 1013px) 100vw, 1013px\" \/><\/p>\n<p><strong>Sawt out<\/strong><\/p>\n<p><strong>Burkhard Beins<\/strong>: Schlagwerk<br \/>\n<strong>Mazen Kerbaj<\/strong>: Trompete<br \/>\n<strong>Michael Vorfeld<\/strong>: Schlagwerk<\/p>\n<p>Mazen Kerbaj ist ein libanesischer K\u00fcnstler und Cartoon-autor, der sich zudem aber auch als einer der Initiatoren und Schl\u00fcssel\ufb01guren der Beiruter Experimental- und Improvisationsmusikszene einen Namen gemacht hat, als Solist und in Ensembles wie Karkhana oder Dog Plug. In Sawt Out arbeitet er gemeinsam mit den beiden Perkussionisten Michael<br \/>\nVorfeld und Burkhard Beins, zwei Protagonisten der Berliner Echtzeitmusik, die in den vergangenen 20 Jahren bereits in unterschiedlichen Formationen zusammenspielten: in den Gruppen Misiiki und Gl\u00fcck, bei Hanoi\u00b0Berlin, und ihren audiovisuellen Performances Klirrfaktor oder Velocit\u00e1 di Fuga.<\/p>\n<p><a href=\"https:\/\/mazenkerbaj.com\/sawtout\/\">https:\/\/mazenkerbaj.com\/sawtout\/<\/a><\/p>\n<p>Releases:<\/p>\n<p>Sawt Out, CD on Herbal Records, Malaysia 2019<br \/>\nSawt Out &amp; Tony Elieh: Machine Learning, CD on Bocian, Poland 2022<br \/>\nSawt Out: Black Current, LP on Al Maslakh, Lebanon 2023<br \/>\nSawt Out: Fake Live in America, CD on Headache, Lebanon\/Germany 2025<\/p>\n<p>\u201eSawt Out should be listened to the same way as satellite photos from a distant planet are<br \/>\nobserved.\u201c &#8211; Ken Waxman, Jazzword<\/p>\n<p>\u201eThis set works quite well on its own terms and will certainly be enjoyed by listeners with a<br \/>\ntaste for active, visceral improv.\u201c &#8211; Brian Olewnick, Just Outside<\/p>\n<p>\u201eSawt Out articulates its enigmatic, thought-provoking textures with captivating playfulness,<br \/>\nand great precision and focus on detail. \u201c &#8211; Eyal Hareuveni, The Free Jazz Collective<\/p>\n<p>\u201eMusik zur Zeit. Punktum.\u201c &#8211; Rigobert Dittmann, Bad Alchemy<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Sawt out Burkhard Beins: Schlagwerk Mazen Kerbaj: Trompete Michael Vorfeld: Schlagwerk Mazen Kerbaj ist ein libanesischer K\u00fcnstler und Cartoon-autor, der sich zudem aber auch als einer der Initiatoren und Schl\u00fcssel\ufb01guren der Beiruter Experimental- und Improvisationsmusikszene einen Namen gemacht hat, als Solist und in Ensembles wie Karkhana oder Dog Plug. In Sawt Out arbeitet er [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=6334"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6334\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/6335"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=6334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=6334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=6334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}