{"id":6311,"date":"2026-04-21T19:00:08","date_gmt":"2026-04-21T17:00:08","guid":{"rendered":"https:\/\/echoraum.at\/?p=6311"},"modified":"2026-04-06T16:07:05","modified_gmt":"2026-04-06T14:07:05","slug":"derbloededrittemittwoch-157","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/derbloededrittemittwoch-157\/","title":{"rendered":"Der Bl\u00f6de Dritte Mittwoch #157"},"content":{"rendered":"

\u00a0<\/strong><\/p>\n

*** From the woods \/\/ Sylvia Bruckner<\/strong> [Konzert]<\/p>\n

*** First there were holes, and that’s the way it was supposed to be \/\/ Franz Hautzinger & Oleg Soulimenko<\/strong> [Performance]<\/p>\n

*** A Few We Remember \/\/ Jonah Parzen-Johnson & Lau Nau<\/strong> [Konzert]<\/p>\n

https:\/\/bloedermittwoch.klingt.org\/<\/a><\/p>\n

 <\/p>\n

\"\"
\u00a9 Markus Sepperer<\/figcaption><\/figure>\n

*** From the woods \/\/ Sylvia Bruckner<\/strong> [Konzert]
\nThis concert marks the release of Sylvia Bruckner\u2019s new CD. Playing both zither and piano, she opens a wide field of sounds that move far beyond the familiar image of the instruments. We hear a rich range of emotions and surprising structures. Despite its diversity, however, this music of various tones and non-tones is held together by the power of creative imagination.<\/p>\n

Sylvia Bruckner \u2013 piano, zither<\/p>\n

https:\/\/www.sylviabruckner.com\/<\/a>
\nhttps:\/\/www.instagram.com\/bruckner.sylvia\/<\/a>
\nhttps:\/\/www.youtube.com\/@sylviabrucknermusic<\/a><\/p>\n

 <\/p>\n

\"\"
\u00a9 Marko Laitinen<\/figcaption><\/figure>\n

*** First there were holes, and that’s the way it was supposed to be \/\/
\nFranz Hautzinger & Oleg Soulimenko<\/strong> [Performance]<\/p>\n

#song, trumpet and bodies #tiny lights and holes in tights #awkward dance, whispering metal, dark gloss and awkward dance<\/p>\n

Franz Hautzinger is an Austrian trumpeter and composer working in the field of experimental and improvised music. He studied at the Graz Academy of Music and the Vienna Conservatory and collaborates with various bands and ensembles.
\nOleg Soulimenko is a performance artist leaving and working in Vienna. He studied engineering and later physical theatre and dance. His work is known for its poetic and detailed approach, often incorporating objects and music.<\/p>\n

Franz Hautzinger – trumpet
\nOleg Soulimenko – dance, action, voice<\/p>\n

https:\/\/www.instagram.com\/helloolegtoday\/<\/a>
\nhttps:\/\/www.wuk.at\/oleg-soulimenko\/<\/a>
\nhttp:\/\/www.franzhautzinger.com\/<\/a>
\nhttps:\/\/www.instagram.com\/franz.hautzinger\/<\/a><\/p>\n

 <\/p>\n

\"\"<\/p>\n

*** A Few We Remember \/\/ Jonah Parzen-Johnson & Lau Nau<\/strong> [Konzert]<\/p>\n

A Few We Remember cycles through moments of knotty ambience, whispered melody,
\nand innocent tinkering as US baritone saxophonist Jonah Parzen-Johnson and Finnish
\nsound artist Lau Nau (modular synth\/small instruments) come together to improvise
\nover a collection of narrative scores. Each score represents a specific interaction with a stranger, but this music isn\u2019t about the stories; it\u2019s about how it feels to tell them.<\/p>\n

Jonah Parzen-Johnson – Baritone Saxophone
\nLau Nau (Laura Naukkarinen) – Modular Synth, Small Instruments, Voice<\/p>\n

https:\/\/wejazz.lnk.to\/afewweremember<\/a>
\nhttps:\/\/jonahpj.com<\/a>
\nhttps:\/\/launau.com<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 *** From the woods \/\/ Sylvia Bruckner [Konzert] *** First there were holes, and that’s the way it was supposed to be \/\/ Franz Hautzinger & Oleg Soulimenko [Performance] *** A Few We Remember \/\/ Jonah Parzen-Johnson & Lau Nau [Konzert] https:\/\/bloedermittwoch.klingt.org\/   *** From the woods \/\/ Sylvia Bruckner [Konzert] This concert marks […]<\/p>\n","protected":false},"author":2,"featured_media":6647,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=6311"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6311\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/6647"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=6311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=6311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=6311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}