{"id":6261,"date":"2026-03-17T20:00:05","date_gmt":"2026-03-17T19:00:05","guid":{"rendered":"https:\/\/echoraum.at\/?p=6261"},"modified":"2026-03-24T15:28:12","modified_gmt":"2026-03-24T14:28:12","slug":"tangent-mek-%c2%b7-berz-chualan-voglsinger","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/tangent-mek-%c2%b7-berz-chualan-voglsinger\/","title":{"rendered":"tangent mek \u00b7 Berz \/ Chualan \/ Voglsinger"},"content":{"rendered":"

 <\/p>\n

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\u00a9 GeromeBlanchard<\/figcaption><\/figure>\n

tangent mek<\/strong><\/p>\n

Anouck Genthon<\/strong> \u2013 Violine
\n\u2028Anna-Kaisa Meklin<\/strong> \u2013 Viola da gamba
\nMarina Tantanozi<\/strong> \u2013 Fl\u00f6ten, Stimme<\/p>\n

The music of the trio is an open-ended sonic space. Dense, broken, the sound surfaces and structures are continuous, oscillating between noise, drone and traces of folk music fragments that remain rather distant associations. The trio gently leads the listener into the sounds themselves, using memory as a process as well as a research method: focusing on their countries of origin over the past years, the trio re-traces their sonic soil and endlessly reactivates its language.<\/p>\n

https:\/\/montagnenoire.bandcamp.com\/album\/immutable-traveler<\/a><\/p>\n

Anna-Kaisa Meklin<\/strong>\u00a0is a viola da gamba and organ player, improviser and composer. Born in Finland, they live in Basel and in Geneva since 2003, where they are active in the improvised music scene. Their projects often locate in interspaces between different musical languages, like early music and experimental, free improvised music. They are interested in collective processes and in the question of responsibility towards environment and audience.<\/p>\n

Born in France, Anouck Genthon<\/strong> is a violinist based in Geneva (CH). She anchors her work in the development of her own language through the experience of sound and listening. She likes to engage in transversal forms of research and she plays in various contexts at the crossroads of improvised, experimental, contemporary, electroacoustic and traditional music through projects ranging from solo to large ensemble. Her work is published by\u00a0Carton, Ligne de cr\u00eate, Montagne Noire GMEA, Sbire records, Wide Ear Records, Newwaveofjazz, Another Timbre, Confront Recordings, Pan y rosas discos, UNRec, Insub. Records, Le petit label, Th\u00f6dol, Gamut Edition. She is the author of \u201cFictation\u201d (Gamut, 2020) and \u201cTuareg Music. From political symbolism to aesthetic singularization\u201d (L\u2019Harmattan, 2012).<\/p>\n

Marina Tantanozi<\/strong> is a Basel-based flutist and improviser from Greece. She explores music-making in numerous settings based on improvisation, reflecting on the notions of communication, temporality and active listening. She combines voice, microtonal textures and electronic processing in order to create a personal language and to expand the technical and expressive possibilities of her instrument. Active in numerous artistic and curatorial contexts, she has collaborated with musicians and collectives all over Europe. She performs as a soloist, as well as with the insub meta Orchestra, Bottom Orchestra, trio tangent+mek, Eden\/Loriot\/Tantanozi trio, duo with Andria Nicodemou, duo Silvan Schmidt, duo with Tom Malmendier among many others. Her work has been presented in major festivals such as Irtijal Beirut, Borderline Athens, Copenhagen Jazz Festival, Willisau Jazz Festival, Archipel Gen\u00e9ve, R\u00fcmlingen Neue Musik Festival etc.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

\"\"
\u00a9 Markus Gradwohl (v.l.n.r.)<\/figcaption><\/figure>\n

Geschiebe | Berz \/ Chualan \/ Voglsinger<\/strong><\/p>\n

Simon Berz<\/strong> \u2013 Steine, Elektronik
\nKasho Chualan<\/strong> \u2013 pr\u00e4pariertes Klavier
\nStefan Voglsinger<\/strong> \u2013 Nagra, Elektronik<\/p>\n

Unterwasseraufnahmen vom Rauschen von Flusssteinen versetzen den Resonanzraum des Klaviers in Schwingung. Chualan pr\u00e4pariert das Instrument, w\u00e4hrend Voglsinger die Kl\u00e4nge mit Open-Source-Elektronik und analogen Bandmaschinen filtert und transformiert. Berz komplettiert das Trio mit geologischen Soundexperimenten auf isl\u00e4ndischen Vulkansteinen und Live-Elektronik.<\/p>\n

Geschiebe kn\u00fcpft an die ortsspezifische Arbeit von Transceiver (Mamka Records MAM07, 2024) an und erweitert diese um ein akustisches Instrumentarium, das mit externen Klangr\u00e4umen verschmilzt. Komponierte Stimmungen verbinden sich mit Field Recording Texturen, die durch Resonanzr\u00e4ume transformiert und durch improvisierte Passagen erg\u00e4nzt werden.<\/p>\n

Kasho Chualan<\/b> is a Kurdish-Canadian pianist, composer, and sound artist based in Vienna. Her work explores the emotional and physical textures of sound by breaking boundaries through performance and experimental improvisation. Influenced by political unrest, human suffering, and the intrigue of melancholy and nature, she uses prepared piano, electronics, toys, and everyday objects to challenge traditional ways instruments are played.<\/p>\n

Simon Berz<\/b> is a transdisciplinary drummer sound artist, and music educator based in Switzerland and Berlin. Working at the intersection of improvised music, sound art, and performance, and deliberately crossing boundaries between disciplines, his aesthetics are shaped by a sustained engagement with natural materials, particularly stone, and their sonic transformation through electronic manipulation. https:\/\/simonberz.ch\/<\/a><\/p>\n

Stefan Voglsinger<\/b> is a musician and performer based in Vienna. He improvises with sine waves and noise generators sent through resonators. He uses open-source instruments for live sampling and fuses them with filtered field recordings from his travels around the world. Voglsinger works across disciplines, developing performances and audiovisual installations with self-built and hacked electronic circuits. He deconstructs machines and instruments and improvises with various groups in Vienna and abroad. https:\/\/voglsinger.klingt.org<\/a><\/p>\n

Das Projekt wird unterst\u00fctzt von MA7 Wien Kultur.<\/p>\n

\"\"<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  tangent mek Anouck Genthon \u2013 Violine \u2028Anna-Kaisa Meklin \u2013 Viola da gamba Marina Tantanozi \u2013 Fl\u00f6ten, Stimme The music of the trio is an open-ended sonic space. Dense, broken, the sound surfaces and structures are continuous, oscillating between noise, drone and traces of folk music fragments that remain rather distant associations. The trio gently […]<\/p>\n","protected":false},"author":2,"featured_media":6262,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=6261"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6261\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/6262"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=6261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=6261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=6261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}