{"id":6101,"date":"2025-11-13T20:00:36","date_gmt":"2025-11-13T19:00:36","guid":{"rendered":"https:\/\/echoraum.at\/?p=6101"},"modified":"2025-10-02T13:17:22","modified_gmt":"2025-10-02T11:17:22","slug":"bruine","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/bruine\/","title":{"rendered":"Bruine"},"content":{"rendered":"

 <\/p>\n

\"\"
\u00a9 Arnaud Hussenot<\/figcaption><\/figure>\n

Bruine<\/strong><\/p>\n

Michael Thieke<\/strong> (Klarinette, Lautsprecher)
\nTom Malmendier<\/strong> (Perkussion, Lautsprecher)
\nEmilie \u0160krijelj<\/strong> (Akkordeon, Lautsprecher)<\/p>\n

Bruine<\/strong> is between the concert and the sound installation. It is a question of extending the instruments using several loudspeakers of different natures, like the diffusers of the \u201condes Martenot\u201d, chosen and manufactured to color, alter and filter the instruments. Each instrument will be connected to several loudspeakers placed into the objects on the floor. The loudspeaker device offers different distinct listening points which disturb the acoustic\/amplified relationship according to the disposition of the listener causing effects of multiphony, fragmentation and saturation.<\/p>\n

Michael Thieke<\/strong> is a Berlin-based clarinetist, composer and performer who likes to travel between many musical environments. His work is situated in the careful exploration of sound and tone, with a particular interest in micro-tonality and related sonic phenomena and a preference for long-term collaborations and collective projects. His concerts and tours have taken him throughout Europe, Asia and America and his music is audible on more than 50 records. http:\/\/www.michael-thieke.de\/<\/a><\/p>\n

For Tom Malmendier<\/strong>, improvisation naturally imposes itself as a central point of all his musical research. He claims an interest in transdisciplinary projects and multiplies encounters with dancers, visual artists, poets.
\nhttps:\/\/www.tomalmendier.com\/<\/a><\/p>\n

Emilie \u0160krijelj<\/strong> explores the accordion in its smallest folds and uses it both as a percussion instrument and a generator of electroacoustic materials. Inspired by her research around the turntable, modular synths and field recording, she brings the accordion to the abstract territory of electronics by manipulating the bellows, rubbing its contours and exploring its extremities. https:\/\/www.emilieskrijelj.com\/<\/a><\/p>\n

Emilie \u0160krijelj & Tom Malmendier, musician and visual artists based in France developed several projects together as the free-improv duo \u201dLes Marquises\u201d, several trios with Mike Ladd or Otomo Yoshihide, the video series of sound performances in situ \u201dPresque \u00eele\u201d and the micro-label \u201deux s\u00e6m\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Bruine Michael Thieke (Klarinette, Lautsprecher) Tom Malmendier (Perkussion, Lautsprecher) Emilie \u0160krijelj (Akkordeon, Lautsprecher) Bruine is between the concert and the sound installation. It is a question of extending the instruments using several loudspeakers of different natures, like the diffusers of the \u201condes Martenot\u201d, chosen and manufactured to color, alter and filter the instruments. Each […]<\/p>\n","protected":false},"author":2,"featured_media":6102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-6101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzert","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=6101"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/6101\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/6102"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=6101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=6101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=6101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}