{"id":5764,"date":"2025-10-21T20:00:55","date_gmt":"2025-10-21T18:00:55","guid":{"rendered":"https:\/\/echoraum.at\/?p=5764"},"modified":"2025-10-28T16:23:59","modified_gmt":"2025-10-28T15:23:59","slug":"xx-y-x-cordula-daus-nina-bauer","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/xx-y-x-cordula-daus-nina-bauer\/","title":{"rendered":"XX Y X: Cordula Daus: Sehr & Nina Bauer: Natural Hybrid"},"content":{"rendered":"

cordula daus & nina bauer play the space.<\/p>\n

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Cordula Daus<\/strong> nimmt sich einzelne metamorphotische Momente aus ihrem Roman Sehr vor: Zwei leiben sich. Ein Mobilfunkvertrag wird zum Manifest. Ein Hase wird zum Fisch. Ihre Figuren fragen sich: Gibt es noch eine Stelle am K\u00f6rper, die Ausgangspunkt einer neuen Beziehungsform werden k\u00f6nnte \u2013 etwa das Knie? L\u00e4sst sich Meinen meiden. Wie malen-schreiben. Und wie s\u00e4he ein Apparat zur Verteilung von Z\u00e4rtlichkeit aus. Als Sehr noch im Entstehen war, erprobte Daus ihre Figuren performativ \u2013 mit und ohne Mikro, als Live-Tirade oder SMS. Im echoraum kn\u00fcpft sie daran an und liest nach\/gegen Vorschrift.<\/p>\n

Cordula Daus (*1974) lebt und arbeitet in Wien und Berlin. Ihre Texte, H\u00f6rst\u00fccke, Performances und Publikationen kreisen um Sprache und K\u00f6rper. In outerwoman.xyz<\/a> erprobt sie gemeinsam mit anderen K\u00fcnstler*innen neue Formen von Elternschaft und Fortpflanzung. Sie ist Elise-Richter-PEEK-Stipendiatin an der Universit\u00e4t f\u00fcr angewandte Kunst Wien. Ihr Roman Sehr erschien 2024 im Ritter Verlag. https:\/\/corduladaus.com\/<\/a><\/p>\n

english:<\/p>\n

Cordula Daus<\/strong> zooms in on specific metamorphic moments from her novel Sehr: two people make love. A mobile phone contract turns into a manifesto. A rabbit becomes a fish. Her characters ask: Is there still a place on the body that could serve as the starting point for a new form of relationship \u2013 the knee, for example? Can meaning be avoided? How to paint-write? And what would an apparatus for distributing tenderness look like? When Sehr was still in the making, Daus tested her characters \u2013 with and without a microphone, as a live tirade or as a text message. At echoraum, she returns to these experiments and reads according to\/against the rules.<\/p>\n

Cordula Daus (born 1974) lives and works in Vienna and Berlin. Her texts, sound pieces, performances and artist books revolve around language and the body. In\u00a0outerwoman.xyz, she experiments with other artists with new forms of parenthood and reproduction. Cordula holds an Elise-Richter-PEEK scholarship at the University of Applied Arts Vienna. Her novel Sehr was published by Ritter Verlag in 2024.\u00a0https:\/\/corduladaus.com\/<\/a><\/p>\n

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Frisch aus dem Presswerk:<\/div>\n
Nina Bauer<\/strong> stellt ihre Platte NATURAL HYBRID* vor.<\/div>\n
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Das Album versammelt Aufnahmen aus den letzten Jahren, St\u00fccke, klangliche Skizzen und Notizen, teils auf Kassette fixiert;<\/div>\n
Ein Lo- \/ Hi-Fi Gemisch, das Rhythmus als flexibles Gef\u00fcge innerhalb metrischer Strukturen erkundet.<\/div>\n<\/div>\n
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Rhythm is then always vital, for it always departs from metre and measure to link those critical moments of passage\u00a0<\/i><\/div>\n
when things unfold while in metamorphosis, and when the process of tuning oneself consists in finding not only\u00a0<\/i><\/div>\n
the transitional pitch necessitated at a given moment –\u00a0<\/i>motion\u00a0– but also one’s own (many-and\/in-one-) pitch –\u00a0<\/i>rest.<\/div>\n
The struggle of positionalities may in the end be said to depend upon the accurate tuning of one’s many selves.\u00a0<\/i><\/div>\n
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Tr\u1ecbnh Th\u1ecb Minh H\u00e0 (An Acoustic Journey)<\/p>\n

*supported by SKE<\/div>\n
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Nina Bauer<\/strong> is a media- and sound artist based in vienna, background \/ studies: digital art at the university of applied arts (vienna) and experimental and electroacoustic music at the university of performing arts (Vienna).
\nCollective works, ensembles in sound art: lentsi biografie, bauer\/stritter, Weltweit Erstes Stimmgabel Ensemble
\nCollective art projects as trabichler\/bauer (1999-2005)
\nPart of the organisation team of kunstkanal (a.D.), velak (a.D.),\u2028IG Bildende Kunst, AKM<\/p>\n

Various projects
\nSoundart
\nFoto-Videoarchiv
\nZum Nachmachen (bauer\/spring\/trabichler)
\nfound objects (social design)
\nFor Eritrea (NGO Hamburg)
\nFotoreportage F.A.Q. (Reise)
\nT.H\u00e4fele \/ Sch\u00fctte-Lihotzky (Mitarbeit)
\nRay \/ W.Herzog
\nto be continued …
\nResearch Catalogue
\nElak \u2013 Archive in Progress (2020\/21)
\nA.Z.O.O.O. \u2013 music in coop. with TU WIEN (2021)
\nArtistic research \/ Arts based Philosophy India (2019)<\/p>\n

https:\/\/www.studio-nb.at<\/a><\/p>\n

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\u2013 \u2013 \u2013 \u2013 \u2013<\/div>\n
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XX Y X\u00a0<\/strong>ist eine von Michaela Schwentner \/ Verein flor* kuratierte, monatlich an verschiedenen Orten stattfindende Reihe.
\n*flor \u2013 verein zur f\u00f6rderung gender- und diversityrelevanter spartenuebergreifender kunstproduktion
\nhttp:\/\/www.jade-enterprises.at<\/a>
\nhttp:\/\/flor.skin\/de\/<\/a><\/div>\n

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cordula daus & nina bauer play the space.   Cordula Daus nimmt sich einzelne metamorphotische Momente aus ihrem Roman Sehr vor: Zwei leiben sich. Ein Mobilfunkvertrag wird zum Manifest. Ein Hase wird zum Fisch. Ihre Figuren fragen sich: Gibt es noch eine Stelle am K\u00f6rper, die Ausgangspunkt einer neuen Beziehungsform werden k\u00f6nnte \u2013 etwa das […]<\/p>\n","protected":false},"author":2,"featured_media":6087,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,5,4,8],"tags":[],"class_list":["post-5764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diskurs","category-konzert","category-programm","category-reihe"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=5764"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5764\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/6087"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=5764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=5764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=5764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}