{"id":5752,"date":"2025-10-07T20:00:19","date_gmt":"2025-10-07T18:00:19","guid":{"rendered":"https:\/\/echoraum.at\/?p=5752"},"modified":"2025-08-15T21:50:35","modified_gmt":"2025-08-15T19:50:35","slug":"berlinde-deman-%c2%b7-jorge-espinal","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/berlinde-deman-%c2%b7-jorge-espinal\/","title":{"rendered":"Berlinde Deman \u00b7 Jorge Espinal"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_5754\" aria-describedby=\"caption-attachment-5754\" style=\"width: 683px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5754 size-large\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/berlinde_deman_1_large-copy-683x1024.jpg\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/berlinde_deman_1_large-copy-683x1024.jpg 683w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/berlinde_deman_1_large-copy-200x300.jpg 200w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/berlinde_deman_1_large-copy-768x1152.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/berlinde_deman_1_large-copy-1024x1536.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/berlinde_deman_1_large-copy.jpg 1067w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption id=\"caption-attachment-5754\" class=\"wp-caption-text\">\u00a9 Laurent Orseau<\/figcaption><\/figure>\n<p><strong>Berlinde Deman<\/strong> (*1982) hat sich ihre Sporen in Jazz, zeitgen\u00f6ssischer und klassischer Musik verdient, als regelm\u00e4\u00dfige Tubistin im Flat Earth Society Orchestra und als vielseitige Musikerin in Projekten mit Dave Douglas, BaarsBuisDeman trio, Graindelavoix, Razen und Machinefabriek, unter anderem. Ihre Suche nach neuen Klangwelten f\u00fchrte sie zum Serpent, einem seltenen Blasinstrument aus dem 16. Jahrhundert &#8211; dem geheimnisvollen Vorl\u00e4ufer der Tuba.<\/p>\n<p>In ihrem Soloprogramm verbindet sie den tiefen Atem dieses uralten Instruments mit der \u00dcberlagerung von Loops und Effekten. Sie dehnt die Zeit, verwebt Texturen und spielt mit Resonanzen, um ein Universum zu er\u00f6ffnen, das der Alltagshektik entflieht. Hier, zwischen Atem und Elektrizit\u00e4t, zwischen Tradition und Experiment, entsteht eine immersive Klangwelt, die ebenso befremdlich wie vertraut wirkt.<\/p>\n<p>Im Herbst 2025 wird ihr erstes Soloalbum auf dem New Yorker Label Relative Pitch Records erscheinen, das sich auf Serpent und Live-Elektronik in all ihrer Rohheit und Subtilit\u00e4t konzentriert. Lassen Sie sich von Berlinde Demans vielschichtigen Klangskulpturen mitrei\u00dfen &#8211; wo Vergangenheit und Zukunft zu einer intimen und schwer fassbaren Erfahrung verschmelzen.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_5755\" aria-describedby=\"caption-attachment-5755\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5755 size-large\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/jorge-espinal-3-ph-sasa-mrak-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/jorge-espinal-3-ph-sasa-mrak-1024x683.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/jorge-espinal-3-ph-sasa-mrak-300x200.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/jorge-espinal-3-ph-sasa-mrak-768x512.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/jorge-espinal-3-ph-sasa-mrak-1536x1024.jpg 1536w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/07\/jorge-espinal-3-ph-sasa-mrak.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-5755\" class=\"wp-caption-text\">\u00a9 Sa\u0161a Mrak<\/figcaption><\/figure>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Jorge Espinal<\/strong> (Peru, 1982) is an experimental guitarist and improviser based in Buenos Aires. His distinctive approach to the instrument is rooted in a deep interest in noise and expanding the possibilities of guitar performance.<\/p>\n<p>His solo project explores the limits of generating multiple voices (guitar \/ bass drum \/ cowbell \/ pedals \/ laptop) through bodily rhythmic independence and the incorporation of digital media. In his sonic exploration, he triggers samples, loops, freezes sounds, percusses, and treats the guitar more as a rhythmic instrument than a harmonic one.<\/p>\n<p>He is a member of Ricarda Cometa and Calato. His music has been released on labels such as HatHut (Switzerland), Buh Records (Peru), Nefarious Industries, Stereo-Neg, Geweih Ritual Documents, Vestibular Records, Pan y Rosas (USA), Jardinista!, PSH Ediziones, and Nendo Dango Records (Argentina).<\/p>\n<p>He has toured across South America, North America, and Europe, showcasing his work at festivals such as Festival Integraciones (2013, 2018 &#8211; PE), FIME (2017 &#8211; BR), Festival Aural (2016 &#8211; MX), and Festival Tsonami (2011 &#8211; CH). In Buenos Aires, he has performed at venues and festivals including Colo\u0301n Contempora\u0301neo at Teatro Colo\u0301n, Festival Ruido at Centro Cultural Kirchner, the Contemporary Music Concert Series at Teatro San Marti\u0301n, Teatro Cervantes, and Centro Cultural Recoleta, among others.<\/p>\n<p>A kind of abstract cumbia with dengue.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Berlinde Deman (*1982) hat sich ihre Sporen in Jazz, zeitgen\u00f6ssischer und klassischer Musik verdient, als regelm\u00e4\u00dfige Tubistin im Flat Earth Society Orchestra und als vielseitige Musikerin in Projekten mit Dave Douglas, BaarsBuisDeman trio, Graindelavoix, Razen und Machinefabriek, unter anderem. Ihre Suche nach neuen Klangwelten f\u00fchrte sie zum Serpent, einem seltenen Blasinstrument aus dem 16. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5753,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-5752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzert","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=5752"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5752\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/5753"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=5752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=5752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=5752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}