{"id":5406,"date":"2025-04-23T19:00:08","date_gmt":"2025-04-23T17:00:08","guid":{"rendered":"https:\/\/echoraum.at\/?p=5406"},"modified":"2026-07-22T16:50:04","modified_gmt":"2026-07-22T14:50:04","slug":"der-bloede-dritte-mittwoch-147","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/der-bloede-dritte-mittwoch-147\/","title":{"rendered":"Der bl\u00f6de dritte Mittwoch #147"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Surprise venue &#8211; revolutionary program:<\/p>\n<p>*** [The Music of History] \/\/ Manfred Werder [Concert Performance]<br \/>\n*** Rage \/\/ Daphna Horenczyk [Excerpt Performance]<br \/>\n*** ECHO ROOM #1 \/\/ Marino Formenti [Performance Concert]<\/p>\n<p>More info below :.:.: :<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<figure id=\"attachment_6884\" aria-describedby=\"caption-attachment-6884\" style=\"width: 1600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6884 size-full\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/werder-c-werder.jpg\" alt=\"\" width=\"1600\" height=\"1200\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/werder-c-werder.jpg 1600w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/werder-c-werder-300x225.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/werder-c-werder-1024x768.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/werder-c-werder-768x576.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/werder-c-werder-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><figcaption id=\"caption-attachment-6884\" class=\"wp-caption-text\">\u00a9 Werder<\/figcaption><\/figure>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>***<strong> [The Music of History] \/\/ Manfred Werder<\/strong> [Concert Performance]<\/p>\n<p>Composer performer, is wandering through the abundance in which he traces all possible enunciation regarding the world. His recent work [ the music of history 2021] continues the practice of inscription of both found objects through typewriter and the public space through de\u0301rive.<br \/>\nEarlier works include stu\u0308ck 1998 and performer series (1999- ), ten 4000 page scores whose nonrecurring and intermittent performative realisations have been ongoing since December 1997.<\/p>\n<p>Manfred Werder: voice, objects, text, tape, typewriter.<\/p>\n<p><a href=\"http:\/\/manfred-werder.blogspot.com\/\">http:\/\/manfred-werder.blogspot.com\/<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_5474\" aria-describedby=\"caption-attachment-5474\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5474 size-large\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/daphna-horenczyk-c-leo-kuraite-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/daphna-horenczyk-c-leo-kuraite-1024x768.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/daphna-horenczyk-c-leo-kuraite-300x225.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/daphna-horenczyk-c-leo-kuraite-768x576.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/daphna-horenczyk-c-leo-kuraite-1536x1152.jpg 1536w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/daphna-horenczyk-c-leo-kuraite.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-5474\" class=\"wp-caption-text\">\u00a9 Leo Kuraite<\/figcaption><\/figure>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>*** <strong>Rage \/\/ Daphna Horenczyk<\/strong> [Excerpt Performance]<\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Durch die Linse intensiver und oft chaotischer Emotionen konfrontiert die Figur der unbeugsamen Rebellin die Komplexita\u0308t eines Lebens, das von den Ma\u0308chten der Identita\u0308tspolitik gepra\u0308gt ist. RAGE ist keine blo\u00dfe Reaktion; es ist eine vielschichtige, schwer zu fassende Kraft, die droht, mit verschiedenen Aspekten des Lebens zu kollidieren \u2013 sei es Politik, Fashion, perso\u0308nliche Identita\u0308t oder Bedeutungen.<\/p>\n<p>Daphna Horenczyk: Concept, choreography, sound, costume, video, stage, text, performance. Kim Teitelbaum: Dramaturgy and text.<br \/>\nStefano D\u2019Alessio: Technical advisor.<br \/>\nPartner in crime: Production.<\/p>\n<p>Co-production of Daphna Horenczyk and WUK Performing Arts.<br \/>\nWith the kind support of the City of Vienna\u2019s Department of Cultural Affairs, BMKOES and Im_Flieger, Bears in the Park.<\/p>\n<p><a href=\"https:\/\/daphnahorenczyk.com\/\">https:\/\/daphnahorenczyk.com\/<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_5473\" aria-describedby=\"caption-attachment-5473\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5473 size-large\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/c-formenti-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/c-formenti-1024x768.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/c-formenti-300x225.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/c-formenti-768x576.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/c-formenti-1536x1152.jpg 1536w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/04\/c-formenti.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-5473\" class=\"wp-caption-text\">\u00a9 Marino Formenti<\/figcaption><\/figure>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>*** <strong>ECHO ROOM #1 \/\/ Marino Formenti<\/strong> [Performance Concert]<br \/>\nAn improvisation score for pianist, echoroom, microphones, tape-recorders, audience,<\/p>\n<p>human voice or other devices.<\/p>\n<p>room cave chamber alcove joint territory vastness volume niche setup chance clearance expanse extent occasion opportunity orifice freedom play reach scope sway sweep<\/p>\n<p>echo reflection repetition reverberation reproduction copy replica facsimile imitation fake mirror kitsch twin double clone match lookalike wannabe trace vestige ghost memory sign mark hint evidence clue allusion intimation overtones I&#8217;m sitting in the room and you?<\/p>\n<p><a href=\"https:\/\/marinoformenti.net\">https:\/\/marinoformenti.net<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Surprise venue &#8211; revolutionary program: *** [The Music of History] \/\/ Manfred Werder [Concert Performance] *** Rage \/\/ Daphna Horenczyk [Excerpt Performance] *** ECHO ROOM #1 \/\/ Marino Formenti [Performance Concert] More info below :.:.: : &nbsp; *** [The Music of History] \/\/ Manfred Werder [Concert Performance] Composer performer, is wandering through the abundance in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5475,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,9,4,8],"tags":[],"class_list":["post-5406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzert","category-performance","category-programm","category-reihe"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=5406"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5406\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/5475"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=5406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=5406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=5406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}