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Musik unterm Mandelbaum #6: Working Class Daughters. \u00dcber Klasse sprechen<\/strong> (Buchpr\u00e4sentation)<\/p>\n Mit Karolina Dreit, Kristina Dreit, Selina Lampe<\/strong><\/p>\n Working Class Daughters<\/strong> versammelt Gespr\u00e4che zu Klasse, Geschlecht, Queerness, Arbeit, Migration, Widerstand und Sorge. Basierend auf Interviews, von Karolina und Kristina Dreit anhand eines Fragebogens gef\u00fchrt und in Performances und Installationen aufbereitet, behauptet das Buch eine Wirklichkeit, in der das Sprechen \u00fcber Klasse nicht von Scham und Isolierung getragen wird, sondern Verbindungen schafft. Begleitet werden die Gespr\u00e4che von visuellen Einschreibungen der K\u00fcnstlerin Selina Lampe.<\/p>\n Alles begann bei einem Gespr\u00e4ch in der K\u00fcche. Gerade war Didier Eribons R\u00fcckkehr nach Reims erschienen, das wir zu lesen versuchten, es aber immer wieder weglegen mussten. Zu nah waren die Erfahrungen an den eigenen Klassenwechseln, und doch fehlte da etwas. Je mehr wir unsere eigene Klassengeschichte befragten, desto mehr Freund:innen fielen uns ein, bei denen es \u00e4hnlich war. Wir entwickelten einen Fragebogen und begannen, Interviews zu f\u00fchren. Viele der Befragten erz\u00e4hlen von Migration, sind queer und fast alle sind oder waren im Kunst- und Kulturbereich t\u00e4tig. Alle sind oder waren einmal T\u00f6chter.<\/p>\n Kristina Dreit, Karolina Dreit, Working Class Daughters. \u00dcber Klasse Sprechen, Wien \/ Berlin: Mandelbaum Verlag 2024<\/p>\n Karolina Dreit<\/strong> ist Arbeiter:innentochter und Post-Ost-Migrantin, sie studierte u. a. Soziologie und ist nach vielen (Um-)Wegen als Kulturarbeiterin, K\u00fcnstlerin und Lehrerin t\u00e4tig. Sie interessiert sich f\u00fcr Arbeitsk\u00e4mpfe, undogmatische Perspektiven auf Klasse und verbindende politische Praktiken.<\/p>\n Kristina Dreit<\/strong> ist K\u00fcnstlerin und Dramaturgin. Ihre Arbeit bewegt sich im Bereich Performance, Installation und Film. Derzeit interessiert sie sich am Beispiel von Stahl f\u00fcr die Geschichte von Werkstoffen und die Verkn\u00fcpfungen von K\u00f6rper, Klasse und Geschlecht.<\/p>\n Selina Lampe<\/strong> ist K\u00fcnstlerin und besch\u00e4ftigt sich mit herrschaftskritischen Ideen. Sie arbeitet mit Video, Skulptur, Zeichnung und Text. Als Teil der feministischen Arbeitsgruppe WIDERSTAND, GEWALT, GESCHICHTE forscht sie zu Scham als Strategie gegen patriarchale Gewalt und Schweigen.<\/p>\n <\/p>\n Konzertprogramm:<\/strong><\/p>\n breathing every now and then then<\/strong> This piece, born from an intense collaboration between composer and performer (Dries Tack), explores the phenomenon of attention. Through abstract sound and musical syntax, we craft new scenarios that shed light on the surrealist fascination with attention. Whether we seek to draw it in or push it away, attention remains the central currency driving scenes that unfold over time – such as those in music and theatre.<\/p>\n Dries Tack<\/strong> <\/p>\n PLEASE STOP – I\u2019m enjoying this too much<\/strong> An intimate and fragile exploration of control, manipulation, and intimacy unfolds through a surreal interplay of music and language. Two men navigate a live rehearsal shaped by a long creative process, testing the limits of their dynamic. The performance balances between cringe and tenderness, testing the audience’s sense of boundaries.<\/p>\n Alexander Chernyshkov<\/strong> is a composer, performer and improviser. Studies composition at the Vienna University with Chaya Czernowin, Karlheinz Essl and Clemens Gadenst\u00e4tter.He experiments actively in building unique new instruments of strictly acoustical and mechanical origin using long tubes to transform the wind instruments or using motors, relays and electromagnets as vibrating sources. His main focus is the composition and practice of the performative, musical theatre, which is being referred as Error Theater. Works and sleeps in Vienna. M\u00e1rton Kov\u00e1cs<\/strong> <\/p>\n","protected":false},"excerpt":{"rendered":" Musik unterm Mandelbaum #6: Working Class Daughters. \u00dcber Klasse sprechen (Buchpr\u00e4sentation) Mit Karolina Dreit, Kristina Dreit, Selina Lampe Working Class Daughters versammelt Gespr\u00e4che zu Klasse, Geschlecht, Queerness, Arbeit, Migration, Widerstand und Sorge. Basierend auf Interviews, von Karolina und Kristina Dreit anhand eines Fragebogens gef\u00fchrt und in Performances und Installationen aufbereitet, behauptet das Buch eine […]<\/p>\n","protected":false},"author":2,"featured_media":5199,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,5,6,10,9,4,8],"tags":[],"class_list":["post-5197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diskurs","category-konzert","category-lesung","category-musiktheater","category-performance","category-programm","category-reihe"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=5197"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5197\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/5199"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=5197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=5197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=5197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/01\/dries_-c-mark-rietveld-1024x682.jpg\")
\nDries Tack<\/strong>: extended wind instruments<\/p>\n
\nWhy Dries Tack started playing the clarinet is still a mystery. Perhaps due to his parents‘ attempt and effort to get him off from the streets. Nevertheless, Dries finally started his study at the conservatories of Brussels, Antwerp, and Tilburg.
\nHis fascination for noise and the pleasure of sharing ideas with the others guided him towards his love to chamber music in contemporary experimental music. As a clarinet and object player, he enjoys playing with the Curious Chamber Players, Ensemble Nadar, and the trio Lambda. Dries is also one of the core members of the chamber music collective ‚Odysseia Ensemble‘. As a passionate teacher, he teaches at music academies of Vilvoorde, Schaarbeek, and Grimbergen. For the moment, Dries loves running and tries to bake his own bread. It is not edible yet.
\nhttps:\/\/www.driestack.com\/<\/a><\/p>\n![\"\"](\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2025\/01\/please-stop-c-nick-mangafas-1024x519.jpg\")
\nstudy for a performer, a composer and a device
\nM\u00e1rton Kov\u00e1cs<\/strong>: performance
\nAlexander Chernyshkov<\/strong>: performance<\/p>\n
\nhttps:\/\/www.youtube.com\/@3alexander3\/videos<\/a><\/p>\n
\nBorn in Szolnok (Hungary). Since his first collaboration with Alexander Chernyshkov in October 2016 for Transcrizione di un Errore at the Biennale di Musica in Venice, he is a recurring guest of Errortheater, including at Elektrotheater Stanislavsky, steirischer herbst and Musiktheatertage Wien. M\u00e1rton Kov\u00e1c’s field of activity includes acting as well as singing roles in the classical opera repertoire. The bass-baritone has appeared internationally in roles such as Leporello (Don Giovanni), Figaro (Le nozze di Figaro), Don Bartolo (Il Barbiere di Seviglia), Schaunard (La Boh\u00e9me) and Doctor Dukchamara (Elisir D’Amore).<\/p>\n