{"id":5191,"date":"2025-01-21T20:00:04","date_gmt":"2025-01-21T19:00:04","guid":{"rendered":"https:\/\/echoraum.at\/?p=5191"},"modified":"2025-01-21T15:24:04","modified_gmt":"2025-01-21T14:24:04","slug":"xx-y-x-ima-2","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/xx-y-x-ima-2\/","title":{"rendered":"XX Y X + IMA\u00a0"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5192 size-full\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/eliane-radigue.jpg\" alt=\"\" width=\"400\" height=\"413\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/eliane-radigue.jpg 400w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/eliane-radigue-291x300.jpg 291w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><strong>IMAfiction portrait #04: \u00c9liane Radigue<\/strong> (Screening)<br \/>\nParis, 2006<\/p>\n<p>Seit den 1960er Jahren komponiert \u00c9liane Radigue elektronische Musik. Sie z\u00e4hlt zu den bedeutendsten und innovativsten Komponistinnen des 21. Jahrhunderts.\u00a0 Als einzige franz\u00f6sische Komponistin ihrer Generation kann Radigue sowohl als Pionierin der elektronischen Musik als auch der Minimal Music bezeichnet werden.<\/p>\n<p>\u201cIhre Musik gleicht einem langsamen Strom, der sich durch dichte, kaum wahrnehmbare Klangver\u00e4nderungen bewegt.<br \/>\nEine zeitlose Architektonik tief gehender Kl\u00e4nge, die nicht nur den Verstand oder das H\u00f6ren ansprechen, sondern den ganzen K\u00f6rper.\u201d (Emmanuel Holterbach, \u00dcbersetzung aus dem Englischen Gina Mattiello)<\/p>\n<p>Interviews: Cornelia Primosch (ORF), Daniela Swarowsky<br \/>\nKamera: Sepp Thoma (ORF), Anais Prosaic<br \/>\nSchnitt: Elena Tikhonova, Anais Prosaic<br \/>\nTonaufnahme: Henry Roux (ORF)<br \/>\nSoundediting: Elisabeth Schimana<br \/>\nFormat: 4:3<br \/>\nSprache: Franz\u00f6sisch<br \/>\nUntertitel: Englisch, Deutsch<br \/>\nDauer: 15 min<\/p>\n<p>Unterst\u00fctzt von Nieder\u00f6sterreich Kultur, BM:UKK, ars electronica, ORF Ober\u00f6sterreich und Bundeskanzleramt:\u00d6sterreich<\/p>\n<p><a href=\"https:\/\/ima.or.at\/de\/biografie\/eliane_radigue\/\">https:\/\/ima.or.at\/de\/biografie\/eliane_radigue\/<\/a><\/p>\n<p><strong><br \/>\n<\/strong>To celebrate the composer\u2019s 93th birthday,<strong><br \/>\nPia Palme and Rhodri Davies play \u00c9liane Radigue<\/strong> (Live Performance)<\/p>\n<div>OCCAM I for harp<\/div>\n<div>OCCAM XVIII for bass recorder<\/div>\n<div>\n<p>OCCAM RIVER VI for harp and bass recorder<\/p>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5193 size-full\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/pia-palme.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/pia-palme.jpg 1000w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/pia-palme-300x200.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/pia-palme-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5194 size-large\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/rhodri-davis-1024x679.jpg\" alt=\"\" width=\"1024\" height=\"679\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/rhodri-davis-1024x679.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/rhodri-davis-300x199.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/rhodri-davis-768x509.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/12\/rhodri-davis.jpg 1379w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><strong>Pia Palme<\/strong>\u00a0is a composer, artistic researcher, musician, writer and activist in the field of contemporary music and experimental music theatre. She is based in Vienna, Austria. Her work and publications often engage with ecology, feminism and post-humanism, offering insights into the state of the Earth and speculative futures. She facilitates cross-disciplinary initiatives and engages in collaborative projects with sound as a fundamental element. As a musician and improviser, Palme performs with bass recorders and electronics.\u00a0<a href=\"https:\/\/piapalme.at\">https:\/\/piapalme.at<\/a><\/p>\n<p><strong>Rhodri Davies<\/strong> is immersed in the worlds of improvisation, musical experimentation, composition and contemporary classical performance. He plays harp, electric harp, live-electronics and builds wind, water, ice, dry ice and fire harp installations and has released eight solo albums. His regular groups include: HEN OGLEDD, Magda Mayas&#8216; Filamental, In Situ Ens., Cranc, Common Objects and a duo with John Butcher. He has worked with the following artists: David Sylvian, Jenny Hval, Derek Bailey, Sofia Jernberg, Lina Lapelyte, Pat Thomas, Simon H Fell and Will Gaines. For the last thirteen years Davies has been closely associated with the pioneering composer Eliane Radigue performing eighteen of her pieces. She composed OCCAM I for Davies in 2011, the first in an ongoing series of solo and ensemble pieces for individual instrumentalists in which a performer\u2019s personal performance technique and particular relationship to their instrument function as the compositional material of the piece. New pieces for solo harp have also been composed for him by: Christian Wolff, Carole Finer, Philip Corner, Phill Niblock, Ben Patterson, Alison Knowles, Taku Sugimoto, Mieko Shiomi and Yasunao Tone. In 2008 he collaborated with the visual artist Gustav Metzger on \u2018Self-cancellation\u2019, a large-scale audio-visual collaboration in London and Glasgow. In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award, he was a Chapter Associate Artist (2016-19) and in 2017 he received a Creative Wales Award. He is a co-organiser of the NAWR concert series in Swansea.<br \/>\n<a href=\"https:\/\/rhodridavies.com\">https:\/\/rhodridavies.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<div>\u2013 \u2013 \u2013 \u2013 \u2013<\/div>\n<div><\/div>\n<div><strong>XX Y X\u00a0<\/strong>ist eine von Michaela Schwentner \/ Verein flor* kuratierte, monatlich an verschiedenen Orten stattfindende Reihe.<br \/>\n*flor \u2013 verein zur f\u00f6rderung gender- und diversityrelevanter spartenuebergreifender kunstproduktion<br \/>\n<a href=\"http:\/\/www.jade-enterprises.at\">http:\/\/www.jade-enterprises.at<\/a><br \/>\n<a href=\"http:\/\/flor.skin\/de\/\">http:\/\/flor.skin\/de\/<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; IMAfiction portrait #04: \u00c9liane Radigue (Screening) Paris, 2006 Seit den 1960er Jahren komponiert \u00c9liane Radigue elektronische Musik. Sie z\u00e4hlt zu den bedeutendsten und innovativsten Komponistinnen des 21. Jahrhunderts.\u00a0 Als einzige franz\u00f6sische Komponistin ihrer Generation kann Radigue sowohl als Pionierin der elektronischen Musik als auch der Minimal Music bezeichnet werden. \u201cIhre Musik gleicht einem langsamen [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5192,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16,5,4,8],"tags":[],"class_list":["post-5191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-konzert","category-programm","category-reihe"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=5191"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/5191\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/5192"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=5191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=5191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=5191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}