{"id":4622,"date":"2024-05-10T19:00:10","date_gmt":"2024-05-10T17:00:10","guid":{"rendered":"https:\/\/echoraum.at\/?p=4622"},"modified":"2024-05-09T10:25:25","modified_gmt":"2024-05-09T08:25:25","slug":"acousmonium-2024","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/acousmonium-2024\/","title":{"rendered":"ACOUSMONIUM 2024"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4623\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/437386603_413531327960958_6893408128920196369_n-1024x665.jpg\" alt=\"\" width=\"1024\" height=\"665\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/437386603_413531327960958_6893408128920196369_n-1024x665.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/437386603_413531327960958_6893408128920196369_n-300x195.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/437386603_413531327960958_6893408128920196369_n-768x499.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/437386603_413531327960958_6893408128920196369_n-1536x998.jpg 1536w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/437386603_413531327960958_6893408128920196369_n.jpg 1539w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><strong>ACOUSMOINIUM 2024<\/strong><br \/>\n<strong>International festival of multichannel electroacoustic music<\/strong><\/p>\n<p>Curated by <strong>Anton Iakhontov (Patrick K.-H.)<\/strong>, <strong>Armando Balice<\/strong> and <strong>Alisa Beck<\/strong><br \/>\nA co-production of the <strong>Floating Sound Gallery Vienna<\/strong>, <strong>Alc\u00f4me<\/strong> and <strong>echoraum<\/strong><br \/>\nSupported by Stadt Wien Kultur, BMK\u00d6S, SKE austromechana, echoraum und ALC\u00d4ME<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programm<\/strong><\/p>\n<p><strong>8 May, 7 pm<\/strong><\/p>\n<p><strong>Armando Balice<\/strong><br \/>\nConcrete obscura (15\u2019) 2024, commissioned by Alc\u00f4me PREMIERE<br \/>\nConcrete aeterna (13\u201920) 2024, commissioned by Grand Chalon Conservatory of Music<\/p>\n<p><strong>Qingqing Teng<\/strong><br \/>\nCollective Sleepwalking events (15\u2019) 2024, commissioned by Alc\u00f4me PREMIERE<br \/>\nGhost Shouting, Ghost Screaming (13\u2019) 2022<\/p>\n<p><strong>Diane Daher<\/strong><br \/>\nMayday, Part II (short version 12\u201910) 2023<\/p>\n<p><strong>Patrick K.-H.<\/strong><br \/>\nPostard 11 (03\u201943) 2023, realized with the support of MA7 PREMIERE<br \/>\nYellow Rabbit (10\u201911) 2023-24, realized with the support of SKE \/ austromechana<\/p>\n<p><strong>Martyna Kosecka<\/strong><br \/>\nRuba&#8217;i (8\u201905) 2020<br \/>\nVirya (17\u2019) 2023-24<\/p>\n<p>&nbsp;<\/p>\n<p><strong>9 May\u2028, 7 pm<\/strong><\/p>\n<p><strong>Paul Ramage<\/strong><br \/>\nAvec mon amour (quand m\u00eame) (10\u2019) 2024, commissioned by Alc\u00f4me PREMIERE<br \/>\nD\u00e9tours de man\u00e8ge (10\u2019) 2019<\/p>\n<p><strong>Thomas Grill<\/strong><br \/>\nblueprinting (15\u2019) 2024, realized with the support of BMK\u00d6S Jahresstipendium Komposition PREMIERE<\/p>\n<p><strong>Zeynep Sarikartal<\/strong><br \/>\nVerkohlt Unter derselben Sonne, first act: Die Erde (11\u2019) 2023\/24, supported by Kompositionsf\u00f6rderung MA7<br \/>\n(Anna K. Frommann: Voice, Performance, Zehra Dogan: Art Works, Ruth Pishler: Sound Reactive Visuals,<br \/>\nAndreas Pronegg: Dramaturgical Assistance)<br \/>\nTaste of Pearl (8&#8217;47\u2019\u2019) 2023, video by Ulduz Ahmadzadeh<\/p>\n<p><strong>\u201cpetites formes 2024\u201c<\/strong><br \/>\nAcousmatic Composition Competition (Canada, France, Japan, Taiwan)<br \/>\n10th anniversary, a selection of various laureats presented and performed by Christian Eloy (about 50&#8242;)<\/p>\n<p><strong>Christian Eloy<\/strong><br \/>\nFOLD-IN (8&#8217;10) 2017<\/p>\n<p>&nbsp;<\/p>\n<p><strong>10 May\u2028, 7 pm<\/strong><\/p>\n<p><strong>Maylis Raynal<\/strong><br \/>\nBayonne la bienheureuse (15\u2019) 2024, commissioned by Alc\u00f4me PREMIERE<br \/>\nDans son ventre creux (6\u201951) 2016, commissioned by Alc\u00f4me<\/p>\n<p><strong>Emma Kerssenbrock<\/strong><br \/>\nMiasmes (7\u201948) 2023, commissioned by Ici l\u2019onde and Alc\u00f4me<\/p>\n<p><strong>Patrick K.-H.<\/strong><br \/>\n\u2206\u2206\u2206\u2206 A4 (15\u2019) 2024, realized with the support of MA7 PREMIERE<\/p>\n<p><strong>Caroline Profanter<\/strong><br \/>\nAmoibe (in 3 movements, about 25\u2019) 2024 PREMIERE<\/p>\n<p><strong>Giulia Francavilla<\/strong><br \/>\nFlow States #3 (8\u201912) 2022<\/p>\n<p><strong>Christian Tschinkel<\/strong><br \/>\nDanse Acousmonautique (30\u201957) 2021<\/p>\n<p>&nbsp;<\/p>\n<p><strong>More info<\/strong>:<\/p>\n<p><a href=\"https:\/\/floatingsound.at\/\">https:\/\/floatingsound.at\/<\/a><br \/>\n<a href=\"https:\/\/www.alcome.fr\/\">https:\/\/www.alcome.fr\/\u2028\u2028<\/a><br \/>\n<a href=\"http:\/\/www.tpmc-paris.com\/competitions\/\">http:\/\/www.tpmc-paris.com\/competitions\/\u2028<\/a><\/p>\n<p>Special thanks to SONORA music \/ <a href=\"http:\/\/sonoramusic.eu\/\">sonoramusic.eu<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4413\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/bmkoes_logo_schwarz-1024x275.jpg\" alt=\"\" width=\"150\" height=\"40\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/bmkoes_logo_schwarz-1024x275.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/bmkoes_logo_schwarz-300x81.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/bmkoes_logo_schwarz-768x206.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/bmkoes_logo_schwarz-1536x413.jpg 1536w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/bmkoes_logo_schwarz.jpg 1600w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4414\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ma07_orbit1_black_rgb-1024x285.jpg\" alt=\"\" width=\"150\" height=\"42\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ma07_orbit1_black_rgb-1024x285.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ma07_orbit1_black_rgb-300x83.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ma07_orbit1_black_rgb-768x214.jpg 768w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ma07_orbit1_black_rgb-1536x427.jpg 1536w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ma07_orbit1_black_rgb.jpg 1600w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4415\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ske_logo_sw_auf_weiss.jpg\" alt=\"\" width=\"150\" height=\"63\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ske_logo_sw_auf_weiss.jpg 686w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/04\/ske_logo_sw_auf_weiss-300x126.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; ACOUSMOINIUM 2024 International festival of multichannel electroacoustic music Curated by Anton Iakhontov (Patrick K.-H.), Armando Balice and Alisa Beck A co-production of the Floating Sound Gallery Vienna, Alc\u00f4me and echoraum Supported by Stadt Wien Kultur, BMK\u00d6S, SKE austromechana, echoraum und ALC\u00d4ME &nbsp; Programm 8 May, 7 pm Armando Balice Concrete obscura (15\u2019) 2024, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4625,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18,5,4],"tags":[],"class_list":["post-4622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","category-konzert","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/4622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=4622"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/4622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/4625"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=4622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=4622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=4622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}