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ON THE EDGE<\/strong> is an eclectic and crossbreed project: listening, viewing, sound experience of space, interaction with objects and multimedia devices create a synaesthetic reality at the centre of which are music and sound.\u2028The works presented – music, audiovisual and installations – draw an immersive path characterised by hybridisation and contamination between different materials, aesthetics, practices and techniques that freely follow the impulses of a common thematic trace, generating a reflection on the questions posed by the present. The video-concert Dissoluzione dello sguardo presents some works by Paolo Pachini and his students at the Department of Music and New Technologies of the Conservatorio Tartini in Trieste, exploring the concepts of hypertrophy and subtraction as tools for new perspectives in audiovisual work.<\/p>\n \u00abLost in a labyrinth of visual splinters \u2013 wrote Pachini \u2013 we finally seem to realize the dream we have been cherishing for millennia: to replace the body with images, assuring us immortality. We hope to endlessly repeat the same gestures suspended in an ethereal space-time diaphragm.This work\u00a0 is not meant to show a road to salvation for the gaze, nor to nostalgically seek a beauty that no longer concerns us because we no longer even have the inner time to contemplate it. This work will only reproduce in an even more obsessive form the coming and going of our gaze in the forest of artificial images, distorting them, fragmenting them, connecting them in delirious ways. Abstract graphics and audio synthesis by physical models lend themselves to electrifying interferences in a feverish media excess\u00bb.<\/p>\n On the edge <\/em>between past and future, the music program brings fragments of memory, extreme works that witnessed their time, imagining a different world, through the dark shadows of the present.\u2028 The musical writing that sometimes takes flight, rising from sign to sound. The powerful fragility of music. Heterogeneity, coexistence.\u2028 Fear and desire.\u2028 The music \u2013 through writing and improvisation, electronics and classical instruments, unusual line-ups, reinterpretations, dialogues between protagonists of modernity and witnesses of the present \u2013 traces a crossbreed space that tells of musicians who have not stopped to confront the complexity of composing, for whom the technological innovations of modernity do not mean renouncement and loss of meaning in musical research, but indicate a way of reconnection to human archetypes, to memory, and to the need for the future. With a tribute to Luigi Nono (1924 – 1990), to his infiniti possibili<\/em> at the edge of silence. (Stefania Amisano \/ cantierezero)<\/p>\n <\/p>\n <\/p>\n Programm:<\/p>\n 18:30 – 22:00 | Installations<\/p>\n Cl\u00e9mence<\/strong> Martel<\/strong>, IN<\/strong>, audiovisual installation\u00a0 (2024) 18:30 | DISSOLUZIONE DELLO SGUARDO \/ DISSOLUTION OF THE GAZE\u00a0 O\u0308EA (2023)<\/p>\n Video-concert. Experiences of integrated audiovisual composition between video relics, generative graphics and audio synthesis via physical models.<\/p>\n Dana Bagioli<\/strong>, Un pesce fuor d\u2019acqua 20:00 – 22:00 | ON THE EDGE<\/p>\n Luigi Nono <\/strong> Fabio Nieder <\/strong> Tiziana Bertoncini Mauricio Kagel [pause]<\/p>\n Alessandro Ratoci Pierluigi Billone <\/p>\n production: collettivo cantierezero, Department of Music and New Techologies – Conservatorio Statale Tartini – Trieste (I) | with the support: Regione Autonoma Friuli Venezia Giulia, Italienisches Kulturinstitut Wien, ZKB | in collaboration with: Festival Teatri del suono \/ ON THE EDGE, Trieste (I)<\/p>\n www.teatridelsuonofestival.eu<\/a>\u00a0 |\u00a0 www.cantierezero.org<\/a><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" ON THE EDGE is an eclectic and crossbreed project: listening, viewing, sound experience of space, interaction with objects and multimedia devices create a synaesthetic reality at the centre of which are music and sound.\u2028The works presented – music, audiovisual and installations – draw an immersive path characterised by hybridisation and contamination between different […]<\/p>\n","protected":false},"author":2,"featured_media":4300,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,18,11,5,4,13],"tags":[],"class_list":["post-4299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellung","category-festival","category-installation","category-konzert","category-programm","category-video"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/4299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=4299"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/4299\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/4300"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=4299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=4299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=4299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/01\/dds_cecuta_k-1024x576.jpg\")
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\nClaudio<\/strong> Weidman<\/strong>, SPECCHIO CONNESSO<\/strong>, interactive multimedia installation (2022)<\/p>\n
\n<\/em>Fabrizio Cecuta<\/strong> Studi per Dissoluzione dello Sguardo
\n<\/em>Amedeo Pinni,<\/strong> Cohere
\n<\/em>Christopher Scherlich<\/strong>, Forwards \/ Now \/ Backwards
\n<\/em>Carlo Siega, <\/strong>SURFACES & TEXTURES #2.0_earthy
\nPaolo Pachini<\/strong>, Sottoforma<\/em><\/p>\n
\nLa fabbrica illuminata<\/em>, per Soprano ed elettronica\u00a0 (17′)<\/p>\n
\nZwei Spiegel, fu\u0308r Baritonstimme und Klavier zu 4 Ha\u0308nden\/fu\u0308r Klavier zu 4 Ha\u0308nden und Bariton in vertauschten Rollen (2010). <\/em>Version fu\u0308r Klavier, virtuelle Stimme und Elektronik. O\u0308EA (9′)<\/p>\n
\n<\/strong>Occhio<\/em> nudo<\/em>, for violin solo (20′) UA
\nmit freundlicher Unterst\u00fctzung der Stadt Wien MA7<\/p>\n
\n<\/strong>MM51 Ein Stu\u0308ck Filmusik fu\u0308r Klavier <\/em>(1976) (9′)<\/p>\n
\n<\/strong>Ergofobia per Dino Campana <\/em>per voce e live electronics (2023) O\u0308EA (10′)<\/p>\n
\n<\/strong>Sgorgo N <\/em>– Omaggio a Luigi Nono, fu\u0308r E-Gitarre (2013) (23′)<\/p>\n![\"\"](\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2024\/01\/dds_biagioli_k.jpg\")
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\ncollettivo cantierezero<\/strong>: Stefania Amisano<\/strong> (piano, video) \u00b7 Tiziana Bertoncini<\/strong> (violin, composition) \u00b7 Claudio Cristani<\/strong> (piano) Cl\u00e9mence Martel<\/strong> (voice, video) \u00b7 Alessandro Ratoci<\/strong> (sound direction, composition) \u00b7 Riccardo Sellan<\/strong> (sound design) \u00b7 Carlo Siega<\/strong> (electric guitar) \u00b7 Claudio Weidmann<\/strong> (electronic engineer, artistic researcher)
\nAudiovisuals works by Paolo Pachini, Dana Bagioli, Fabrizio Cecuta, Amedeo Pinni, Christopher Scherlich, Carlo Siega<\/strong><\/p>\n