{"id":3970,"date":"2023-11-14T20:00:42","date_gmt":"2023-11-14T19:00:42","guid":{"rendered":"https:\/\/echoraum.at\/?p=3970"},"modified":"2026-02-26T01:15:20","modified_gmt":"2026-02-26T00:15:20","slug":"sun-dog-%c2%b7-dejana-sekulic","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/sun-dog-%c2%b7-dejana-sekulic\/","title":{"rendered":"Sun Dog \u00b7\u00a0Dejana Sekuli\u0107"},"content":{"rendered":"

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SUN DOG<\/span><\/span><\/strong><\/span><\/span><\/span><\/p>\n

Hof, Iceland
\nOverlooking the Black Desert
\nlooking westward
\ntwo distinct suns are jealous of each other in the sky
\nSunDog
\nThe elder sun is misted in a cold yellow
\nits heir is greenish-grey
\nIn the north, the Vatnajo\u0308kull glacier spews its waters in the carbon vastness as far as the ocean.
\nMultiple shafts of light pierce the clouds.<\/p>\n

Mont Ventoux, France
\nClimbing the Kilimanjaro of Provence, Isabelle and I walked
\nthe immaculate rocky terrain.
\nIn cowboy boots and sneakers, we wander between the snow patches drunk on mistral, up to the ridge.<\/p>\n

Beyond the Dome of the Storms, we reach the pass.
\nAfter climbing this modest 1909 metres, we descend on the partially-icy asphalt. The setting sun casts on the summit rare silhouettes of pine trees
\nshaped by the wind.
\nThe sea of clouds at our feet reminds me of the past experience of the SunDog.<\/p>\n

This climb was the beginning of our meeting at the M!lieu, in the village of Sault, between the sky, the stones, and the wind.<\/p>\n

These new wanderings with vocalist Isabelle Duthoit, echo previous journeys I have made with Phil Minton, Catherine Jauniaux, Natacha Muslera or Dalila Khatir.<\/p>\n

(ErikM 2022)<\/p>\n<\/div>\n

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Isabelle Duthoit<\/strong> began studying classical music in 1991 at the Conservatoire national supe\u0301rieur de musique et de danse in Lyon with Jacques Di Donato , from which she graduated in 1995. With Donato, she founded the Fruits de Mhe\u0300re Festival for improvisation music in 1994 and composed the theater music le temps du souffle. In the second half of the decade she toured the United States with Donato; she also worked with chamber music interpreters such as Sonia Wieder-Atherton and Raphae\u0308l Oleg . She performed several times at the Musique Action festival in Vand\u0153uvre-le\u0300s- Nancy ,Musique en Sce\u0300ne in Lyon as well as Romania and the Ukraine. She also worked in the Ensemble Triolid (album Ur Lamento 2002 with Laurent Dailleau ( theremin ) and David Chiesa (bass, percussion)) with Taavi Kerikma\u0308e and with Tim Hodgkinson ( Sketch of Now , 2006). In 2004 she recorded the album Avenues (Unit) in a duo with the pianist Jacques Demierre . It is clarinettist in Trio Krizda with Christine Wodrascka (piano) and Gunda Gottschalk (Viola), plays in the formation archipelago of Emmanuel Petit and is the founder of the trio Bords de Mhe\u0300re (with Kristof Guez and Marc Pichelin). In the course of her career she also worked with Johannes Bauer , Camel Zekri , Michel Doneda , Franz Hautzinger and Ge\u0301raldine Keller . In 2001 she performed with Joe\u0308lle Le\u0301andreand Marilyn Crispell at the Konfrontationen festival in Nickelsdorf . [2] In Japan, she studied 2008 for a stay in the Villa Kujoyama Noh rituals and entered 2011 in the Villa Medici in Rome together with Ryoko Aoki on. In 2012 she was part of the SWR New Jazz Meeting Member of Carl Ludwig Hu\u0308bsch Ensemble pretty eight ; she also belongs to his quartet Drift. https:\/\/www.discogs.com\/fr\/artist\/214090-Isabelle-Duthoit<\/a><\/p>\n

ErikM<\/strong> is a French musician, composer and visual artist. \u2028Since his first experience in the plastic and visual arts, ErikM takes the risk to escape any attempt of hasty categorization. Very quickly considered as a virtuoso of electronic devices and sound arts (1994), he crosses the worlds-systems called „independent“, „institutional“ and territories (France – International). He develops an openly prospective approach of the technological medium. He conceives acousmatic works or composes mixed music for instrumental ensembles (Ensemble Inter contemporain, Laborintus, Phoenix Basel, Les Percussions de Strasbourg, Dedalus…). He has collaborated with Luc Ferrari, Jean-Luc Nancy, Christian Marclay, Thurston Moore, Bernard Stiegler, Mathilde Monnier, FM Einheit… and creates transversal works that constitute a singular kaleidoscopic vision and put in tension the intimate and the political, the popular and the learned. www.erikm.com<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a9 daisyeek<\/figcaption><\/figure>\n

violin+<\/strong> is a performance woven out of curious, exciting, peculiar, adventurous music and wondrous sonar worlds of pieces for prepared violin, prepared bow, and other \u201c+\u201d coming from the extensions to the violin in the form of performative electronics. For this occasion, the program features pieces that use different everyday objects as means to change violin\u2019s sonic identity (as in pieces by Clara Iannotta and Julie Michael), as well as pieces that redefine what is and can be a bow accentuating both the fragility of sound production and the energy of movement needed for sound to exist (as in Wojtek Blecharz and Alessandro Perini). The final form of extending the instrument comes with pieces that relay on use of electronics and video \u2013 using motion capture of a player to construct the video part of the piece (as in Johannes Kreidler) or using a live-screen score based on migratory paths of birds and humans, hosted online, into which the live performer enters with their own live sound (as in Sekulic\u2019s own piece).<\/span><\/p>\n

programme:
\no Clara Iannotta<\/strong>: dead wasps in the jam-jar (i) (2015-16), for prepared solo violin
\no Julie Michael<\/strong>: Junk Drawer (2022), for prepared violin
\no Alessandro Perini<\/strong>: on that day my left ear became a frog (2018), for violin with custom-made amplified bow
\no Dejana Sekuli\u0107<\/strong>: pathways (2022), a live screen-score for sound making performer
\no Wojtek Blecharz<\/strong>: Phenotype (2011-12), for prepared violin\/bow
\no Johannes Kreidler<\/strong>: BOW (2020) for violin, audio and video playback<\/p>\n

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\u00a9\u00a0Laura Mateescu<\/figcaption><\/figure>\n

Dejana Sekuli\u0107<\/strong>, violinist, sound+silence explorer and performer, born at 43\u00b018\u201958.5\u201dN 21\u00b054\u201939.5\u201dE, is currently pursuing her PhD research, \u201cTemporality of the Impossible\u201d, at the Centre for Research in New Music (CeReNeM) and the Research Centre for Performance Practices (ReCePP) at the University of Huddersfield. In February 2022 NMC\/Huddersfield Contemporary Records released her solo violin CD baring the same title. Dejana obtained her bachelor\u2019s degree at the Faculty of Art University of Ni\u0161 (Serbia), followed by Masters studies and Post Master specialisation in music at the Royal Conservatory Brussels (with Igor Oistrakh, Valery Oistrakh, and Bart Bouckaert), and an advanced program for contemporary music lead by ICTUS (Brussels) and Spectra (Gent) ensembles at the School of Arts Gent (Belgium). She actively performs as a soloist, and in a violin and live electronics duo with Gilles Doneux. She is the violinist of LAPS Ensemble, as well as a guest of Contemporary Insights, and is part of the art and education research collective People Coming from NowHere. Dejana also creates and develops works in the fields of interactive sound installations and multimedia. http:\/\/dejanasekulic.com\/<\/a><\/p>\n

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SUN DOG Hof, Iceland Overlooking the Black Desert looking westward two distinct suns are jealous of each other in the sky SunDog The elder sun is misted in a cold yellow its heir is greenish-grey In the north, the Vatnajo\u0308kull glacier spews its waters in the carbon vastness as far as the ocean. Multiple shafts […]<\/p>\n","protected":false},"author":2,"featured_media":4038,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/3970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=3970"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/3970\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/4038"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=3970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=3970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=3970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}