{"id":1395,"date":"2022-03-16T20:00:43","date_gmt":"2022-03-16T19:00:43","guid":{"rendered":"https:\/\/www.echoraum.at\/site\/?p=1395"},"modified":"2022-03-15T19:09:53","modified_gmt":"2022-03-15T18:09:53","slug":"punctum-collective-all-that-matters","status":"publish","type":"post","link":"https:\/\/echoraum.at\/site\/punctum-collective-all-that-matters\/","title":{"rendered":"punctum collective: All that matters"},"content":{"rendered":"<p><strong>Nava Hemyari:<\/strong> Stimme, Komposition \u00b7 <strong>Yifeng Zhu:<\/strong> Fl\u00f6te \u00b7 <strong>Jake Mann:<\/strong> Klarinette \u00b7 <strong>Jason Pfiester, Gaspard Stankovski Hoursiangou:<\/strong> Horn \u00b7 <strong>Eirini Krikoni:<\/strong> Violine \u00b7 <strong>Sarah Maria Dragovic:<\/strong> Bratsche \u00b7 <strong>Kimiko Krutz, <span style=\"color: #000000; font-family: arial, sans-serif;\">Elnaz Behkam<\/span>:<\/strong> Klavier<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1398\" src=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2022\/01\/punctum.jpg\" alt=\"\" width=\"1024\" height=\"676\" srcset=\"https:\/\/echoraum.at\/site\/wp-content\/uploads\/2022\/01\/punctum.jpg 1024w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2022\/01\/punctum-300x198.jpg 300w, https:\/\/echoraum.at\/site\/wp-content\/uploads\/2022\/01\/punctum-768x507.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><strong>Programm:<\/strong><\/p>\n<div><span style=\"color: #000000; font-family: arial, sans-serif;\"><strong>Eugene Ignashev<\/strong>:<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>Untitled<br \/>\n<strong>Morton Feldman<\/strong>:<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>Projection 4 for violin and piano<br \/>\n<strong>Nava Hemyari<\/strong>:<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>cosas pequenas III for violin and bass clarinet<br \/>\n<strong>Morton Feldman<\/strong>:<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>Voice, violin and piano<br \/>\n<strong>Gerald Grisey<\/strong>:<span class=\"gmail-Apple-converted-space\"> Accord Perdus (cinq miniatures)<br \/>\n<\/span><\/span><\/div>\n<div><span style=\"color: #000000; font-family: arial, sans-serif;\"><strong>Gy\u00f6rgy Ligeti<\/strong>: Trio for Violin, Horn and Piano (IV. Lamento)<br \/>\n<strong>Nava Hemyari<\/strong>:<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>Mario for violin, viola, flute, bass clarinet, piano and voice<br \/>\n<strong>Theofilos Lambrianidis<\/strong>:<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>Sostenuto<br \/>\n<strong>Nava Hemyari<\/strong>:<span class=\"gmail-Apple-converted-space\">\u00a0<\/span>et Amputee for violin, viola, bass clarinet, piano and voice<br \/>\n<\/span><\/div>\n<p><strong>Punctum collective<\/strong> ist eine Gruppe bestehend aus Studierenden, sowie AbsolventInnen der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien; Konstanze Heinicke und Eirini Krikoni (Violine), Sarah Maria Dragovi\u0107 (Viola), Nava Hemyari (Stimme\/Komposition) und Eugene Ignashev (Klangk\u00fcnstler\/Komponist).<\/p>\n<p>Das Kollektiv organisiert und konzipiert Konzerte und kollaboriert dabei mit unterschiedlichen und aufstrebenden jungen K\u00fcnstlerInnen. Jedes Konzept von punctum collective bezieht sich direkt oder indirekt auf die Architektur des jeweiligen Veranstaltungsortes und auf die unterschiedlichen M\u00f6glichkeiten, wie der jeweilige Raum wahrgenommen, bespielt und interpretiert werden kann. 2018 gr\u00fcndete das Kollektiv die Konzertreihe \u201emoquette\u201c in der Konzilsged\u00e4chtniskirche Lainz Speising.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nava Hemyari: Stimme, Komposition \u00b7 Yifeng Zhu: Fl\u00f6te \u00b7 Jake Mann: Klarinette \u00b7 Jason Pfiester, Gaspard Stankovski Hoursiangou: Horn \u00b7 Eirini Krikoni: Violine \u00b7 Sarah Maria Dragovic: Bratsche \u00b7 Kimiko Krutz, Elnaz Behkam: Klavier Programm: Eugene Ignashev:\u00a0Untitled Morton Feldman:\u00a0Projection 4 for violin and piano Nava Hemyari:\u00a0cosas pequenas III for violin and bass clarinet Morton Feldman:\u00a0Voice, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1398,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-1395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzert","category-programm"],"acf":[],"_links":{"self":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/1395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/comments?post=1395"}],"version-history":[{"count":0,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/posts\/1395\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media\/1398"}],"wp:attachment":[{"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/media?parent=1395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/categories?post=1395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/echoraum.at\/site\/wp-json\/wp\/v2\/tags?post=1395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}